Condition: 100% brand new in new compact cardboard slip cover as shown in Picture
Audio Tracks Dolby Digital
Dialogue: - (Slient Film)
Subtitles: English & Chinese ( Removable)
Aspect Ratio: 4: 3
Region Code: All Code : US/UK/Asia/Europe
Starring (Main Casts): Falconetti (n¨¦e Renee Falconetti)
Carl Dreyer's The Passion of Joan of Arc is as truly mythic as any film ever shot, its artistic achievement rivaled by its turbulent history. The focal point of controversy when released in 1928, the original film was lost for a half-century until an intact copy of Dreyer's original version was recovered in the early '80s.
Seeing Joan of Arc today remains a cinematic revelation, its approach to storytelling, set design, editing, and especially cinematography (by Rudolph Mat¨¦, who also shot Dreyer's visionary Vampyr) radical then, and still strikingly modern many decades later. Influenced by both German expressionist film and the French avant-garde, Dreyer's huge set was designed with asymmetrical doors, windows, and arches, through which Mat¨¦'s camera moves along equally off-centered, even vertiginous, but fluid trajectories. Although the story is epic in its implications, the film is composed primarily of extreme close-ups, especially of Joan and her principal interrogator, Bishop Cauchon, and medium shots of small groups, often shot from low angles. Dreyer and Mat¨¦ shot their cast in bright light, without makeup, giving each wrinkle, blemish, or tuft of hair sculptural detail.
For all its visual invention, however, Dreyer's film is most devastating in its central performance by Falconetti (n¨¦e Renee Falconetti), a French stage actress who made her only screen appearance here--one critic Pauline Kael has suggested "may be the finest performance ever recorded on film." Through Falconetti, Joan's spiritual devotion, simple dignity, and suffering become utterly real; even without a dialogue track and only sparse inter-titles, the film achieves a fevered eloquence.
This meticulous restoration also includes composer Richard Einhorn's beautiful oratorio, Voices of Light, inspired by Dreyer's film and set to texts by women mystics from medieval and early-Renaissance Europe. A luminous work on its own, Einhorn's oratorio matches both the dramatic arcs and tremulous emotions of Dreyer's film, while its juxtaposition of choral and solo voices (with early-music vocal quartet Anonymous 4 evoking Joan herself) echoes the martyr's confrontation with the court.
This release of Carl Dreyer's landmark film The Passion of Joan of Arc is a definitive example of DVD restoration. Initially believed to be lost forever in a fire, this transfer was created at 24 frames per second from a negative of the rediscovered original version. For a film released in 1928, The Passion of Joan of Arc looks absolutely remarkable. As with most silent films, Dreyer's Joan was originally presented to audiences with different pieces of music.
With its stunning camerawork and striking compositions, Carl Th. Dreyer's The Passion of Joan of Arc convinced the world that movies could be art. Ren¨¦e Falconetti gives one of the greatest performances ever recorded on film, as the young maiden who died for God and France. Long thought to have been lost to fire, the original version was miraculously found in perfect condition in 1981-in a Norwegian mental institution.